Installation view

Amber

Amber
Solo exhibition, Braennen, Berlin, 2.8. – 23.8.2015

Like ships or floes, three mattresses lie on the floor of the exhibition space. They are wrapped in fitted bedsheets, which have been dyed with quotations using a batik process. Resting on them, visitors can let themselves drift. Folding screens held together by power cords surround the mattresses. During opening hours, attendees are read aloud texts encompassing themes such as ancestry, depletion, cultural entrenchment, class, utopia, and their transgression. Between each reading the space is rearranged, which, along with the different associations provoked by the text, creates a warm but ephemeral atmosphere at the limits of tangibility.

The ambiguities of the installation reflect the ambiguity of the word “amber”, which refers both to the fossilized tree resin gemstone and to ambergris, a substance that used to be important for the manufacture of perfume and is derived from sperm whales’ stomach contents. While amber suggests healing a wound, encapsulating and conserving, ambergris results from the metamorphosis of indigestible bone fragments through weathering and processing into a valuable eroticizing fragrance. Both substances share a connection to the sea, for before their provenance was known, they could only be found washed up on the shore.

Jörg Markowski reads

River Without Banks by Hans Henny Jahnn

2.8.2015

Vince Tillotson reads

Orlando by Virginia Woolf

7.8.2015

Eric Jones reads

Close to the Knifes by David Wojnarowicz

8.8.2015

Tucké Royale reads

fairy tales by Hans-Christian Andersen

9.8.2015

Michaela Meise reads

Pretty Honest by Sali Hughes

14.8.2015

Alicia Agustín reads

How to Be Gay? by David Halperin

15.8.2015

Daniel Cremer and Heike-Karin Föll read

the interview with Jean Genet by Hubert Fichte

16.8.2015

Nicholas Courtman reads

Maurice by E.M. Forster

21.8.2015

Dirck Linck reads

Sheeper by Irving Rosenthal

22.8.2015

Raoul Klooker reads

So schön by Ronald M. Schernikau

23.8.2015